A journal for music, sound, and performance in Aotearoa
Editorial
Dust and Blur
Low Theory as a Space [forthcoming]
Navigating Liminal Space
Whakarongo ki te Whenua
Transformations of Abandoned Spaces
maybe it speaks to spaces
A Movement to End Sexual Harm in the Music Community
Questions for
Ngā Tangi o te Wahangū
Cleaning the Old Folks Ass
U(wā)S: Maungarongo Te Kawa
NO ONE SPEAKS LIKE THAT WHEN THEY’RE DREAMING
Funding the Arts in Aotearoa: An Opera Perspective
There Is Such a Thing as a Cloud MillionAIRe in Ōwairaka Formerly Known as Mt Albert
Extraction Resonance
Notes on New Music Now
Reimagining Our Futures by Serving the Body
All the Gold in the World
Te Hau/Te Hā: Breath and Sounds of Connection
Improvisation Within a “Liveness” Ecology…
A List of Positions
Inland Renderings: Ruminations on Queer Reproduction, Agricultural Archives, and Douglas Wright’s Inland
Rediscovering “Liveness”: A Musician's Reflection on the Pandemic's Impact on Live Performance
“Am I Overly Suggestible?”: Liveness, Encounter, and the Relational in Contemporary Performance Art
On Resisting Extinction
The Page as Stage: A Choreological Response to Art That Moves
TUT-TUT!
Screens: Carefully Arranged Windows into Delicate Rituals of Sound
He Iti Te Oro He Nui Te Kōrero Indigenous Communication through Sound
Learning Your Instrument: A Method-Manifesto
Seven Gestures Towards a New Queer Performance in Aotearoa
A manifesto for practice that makes us possible
Never Quite Enough
Whence Comes Love? The Manifesto as Desire and Demand
The Venue
I ripped yellow in half again and again
Renaissance: On Pop and Its Radical-Utopian Maximalism
A post-reflection memory reconstruction searching for continuity in seemingly disparate experiences
